Our design team has comprehensive experience in working on large-scale projects. Our design team understands that personal attention along with clear and regular communication will assure the success of your project.
As Exhibition Designers, we are aware of many criteria including: communicating with the visitor, roles of the objects, conservation considerations, visitor flow, lighting design, color,story-lines, project planning and management, temporary or traveling exhibits,showcase-design, show-case arrangements, production scheduling, installation and maintenance.
Our design has evolved so we can offer under this broad exhibition design title services which embrace all of these and more:
Feasibility and concept development
3D design branding and marketing strategy.
While everything, technically, is an experience of some sort, there is something important and special to many experiences that make them worth discussing. In particular, the elements that contribute to superior experiences are knowable and reproducible, which makes them designable.
These elements aren’t always obvious and,surely, they aren’t always fool-proof. So it’s important to realize that great experiences can be deliberate and are based upon principles that have been proven.
The design of experiences isn’t any newer than the recognition of experiences. As a discipline, though, Experience Design isstill somewhat in its infancy. Simultaneously, by having no history (since it is a discipline so newly defined), and the longest history (since it is the culmination of many, ancient disciplines), experience design has become newly recognized and named. However, it is really the combination of many previous disciplines;but never before have these disciplines been so interrelated, nor have the possibilities for integrating them into whole solutions been so great.
Experience Design as a discipline is also so new that its very definition is in flux. Many see it only as a field for digital media, while others view it in broad-brush terms that encompass traditional, established, and other such diverse disciplines as theater,graphic design, storytelling, exhibit design, theme-park design, online design,game design, interior design, architecture, and so forth. The list is long enough that the space it describes has not been formally defined.
There are, at least, 6 dimensions to experiences: Time/Duration, Interactivity, Intensity, Breadth/Consistency,Sensorial and Cognitive Triggers, and Significance/Meaning. Together, thesecreate an enormous palette of possibilities for creating effective, meaningful,and successful experiences.
The most important concept to grasp is that allexperiences are important and that we can learn from them whether they aretraditional, physical, offline experiences or whether they are digital, onlineor other technological experiences. In fact, we know a great deal aboutexperiences and their creation through these other established disciplines thancan-and-must-be used to develop new solutions. Most technological experiences–including digital and, especially, online experiences- have paled incomparison to real-world experiences and have been relatively unsuccessful as aresult. What these solutions require is for their developers to understand whatmakes a good experience first, and then to translate these principles, as wellas possible, into the desired media without the technology dictating the formof the experience.
LOOKING FOR A BETTER LIFE: The ultimate aim of all creative activity is to bring happiness to people’s lives.
Experiences can happen in the past, present orfuture. Past experiences must offer good memories as a way of re-living in thepresent and desiring it for the future.
Present experiences must connect to the mind inits whole, bringing focus to the action being performed and getting the mind toa flow state. Happiness comes from the experience itself and not from theresult of it. Future experiences must bring desire to the present, creating apresent that is better because of the latent potential of the futureexperience. Experiences can be based in real life or in fantasy, but reality and fantasy must empower one another in a way that the whole is better than the absolute sum of the separate experiences.
Experiences that foster should have the following qualities:
Interaction designers etc